It’s time to bring out the real North African flavor to this piece. In order to that, check out the video below to learn how to play some trills that use different notes in the scale. This brings out the pentatonic-ish flavor of the scale being used. What’s this North African Flavor I’m talkin’ bout? I’m talking about the blues scale. It’s hidden inside the maqam being…
Read MorePlay Sidi Mansour
Who doesn’t know this song? This is a classic! And now you can learn how to play it on the Oud! I didn’t start listening to the classic Arabic artists like Farid Al Attrash or Oum Kulthum… in fact I didn’t really get it or like it… This is one of the first Arabic songs that I heard which got me more interested in learning Arabic music.…
Read MoreSamai Bayati Al Aryan Part 4
This article is going to finish up our Samai Bayati Al Aryan free oud lessons. After watching this week’s video you’ve learned quite a bit of this piece. Watch out for the teslim… the teslim is played twice. The first time you play the teslim through the last three beats will join it up to the beginning of the teslim because it’s repeated. The second time you play the teslim…
Read MoreSamai Bayati Al Aryan Part 3 with Advanced Oud Techniques
As promised, we are forging onward and this means we’re going to learn the teslim of this Samai instrumental. The teslim is like a refrain, and repeats a few times during the performance of a Samai. It’s very catchy too. So if you learn the teslim, you’ve learned most of the Samai. This particular teslim is not that difficult because it uses a short descending repetitive melodic pattern that just…
Read MoreSamai Bayati Al Aryan Part 2 – Free Oud Lesson
Here is the follow up to last weeks free Oud lesson Samai Bayati Al Aryan with Advanced Techniques. It will complete the first “hane” of this Samai instrumental. Samai Bayati Al Aryan Part 2 For those of you who like notation, here it is! This is the 2nd section of Samai Bayati Al Aryan played on the Oud with advanced techniques. Turkish Samai pieces are very well organized. This section…
Read MoreSamai Bayati Al Ayran with Advanced Oud Techniques
I’ve had a nice break during the holidays here, but I’ve taken to another task which I’m sure many people are going to benefit from. I’ve had many people suggest that I teach how to play actual pieces in these free Oud lessons, and I’ve decided to finally begin that. I’m now satisfied that I’ve covered sufficient Oud techniques so that anyone who is new to the series can jump…
Read MoreDoubling Up Part 2
This article is all about taking a simple melodic passage and doubling up the notes played to spice it up. If you haven’t seen Doubling Up Part 1, check out it below. Doubling Up Part 1 Now I’m going to show you a simple level above what is shown in Part 1. This is Doubling Up Part 2. What you’re going to learn is one of the hallmarks…
Read MoreVibrato!
This is a technique I was asked to do by someone on YouTube. Actually, it’s amazing I hadn’t thought of doing this technique yet myself. So thanks again to the person who suggested it! Another strange thing, I actually was never formally taught how to play this technique… It just started to happen naturally, probably just from years of playing different string instruments. So here’s my way of…
Read More3 Stroke Trills
Are you ready for a workout? Let’s play some trills together. But I’ll be honest, it’s difficult to define this one. Call it what you want, it’s really good to learn!!! I’ll let the video speak for itself: 3 Stroke Trills difficulty: intermediate to advanced What? This is a 3 stroke accent played on two notes with a stroke pattern of DOWN UP DOWN. Why? It creates rhythmic…
Read MoreBouncing Down the Stairs – A Taqsim Technique
If you liked last week’s post that showed you how to create a short musical phrase and turn it into a longer musical phrase, then you’re going to like this week’s post. This is another technique you hear during taqsim. I call it, “Bouncing Down Stairs”. Check out the video below to learn how to do it! Bouncing Down the Stairs Difficulty: easy to moderate What? This technique is…
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